Cave 21:
The interior view towards left aisle shows mature sense of the use of space. The pillars are well carved and the remains of plaster show that there were paintings on the ceiling. Equally interesting is the view from the right front corner.

CHAITYA HALL:
This is also a Chaitya gathering hall of the 5th-6th century A.D. The verandh opens in to a court. There is a colonnade inside, composed of 26 pillars. This forms the aisles. One can go round the cylindrical stupa in circumambulation. The walls have relief carvings. Also, the round stupa is decorated.
BUDDHA IN PARINIRVANA:
On the left wall, by the verandah, is the large statue of dead Buddha. The Buddhist calls this sleeping figure the Buddha in parinirvana.
TEMPATION OF BUDDHA:
On the same wall, further ahead is a relief sculpture of Temptation of Buddha by the demon mara.

Cave 24:
PILLAR STYLE:
Unfinished pillars of the front aisle are worth nothing for the evolution of the pillar style. The earliest pillars are simple, roughly shaped on four sides. Later the Mahayana period they were tapered into octagonal form.
PILASTER:
The pilaster at right end of porch elaborate piece of work, even though the cave 24 remained unfinished. There are small groups in the medallion.
PORCHED DOORWAY UPPER RIGHT CORNER:
The splendid T-shaped doorway came very late in the 7th century. The interior of the cave was left unfinished because patronage at Ajanta had ceased by that time.

Cave 26:
CHAITYA HORSESHOE ARCH:
The Chaitya Horseshoe arch of this 5th century cave is imposing. There are various fine images of the Buddha sculpted with rare skill.
SRAVASTI MIRACLE:
The circumambulatory passage is full of them. Mostly they represent the sravasti miracle. This miracle was based on the legend when the Buddha revealed himself in all his various forms on the skies above the village of sravasti.
NAGAS, NANDA, ANUPANANDA:
At the bottom of the relief, the Nagas, nanda, and anupananda are shown holding the stem of the lotus. This lotus is the cosmic axis on which the Buddha is seated.
GODDESS:
There is a goddess on the bracket of the first pillar on left in the interior. She is standing under a fully blossomed tree. Underneath is a lunette of a family group
BUDDHA HEAD WITH CURLY HAIR:
There is a vital Buddha head with curly hair and large ear lobes in this cave.
FAMILY GROUP:
There is a family group with profuse floral decoration around it, which shows the ideal human family of that time.

Cave 27:
NAGA DWARPALA:
There is a Naga Dwarpala on the outer flank of the shrine. This cave follows many elements from cave 20. For instance, the Naga here is similar to a Naga Dwarpala in cave 20.
In the late 6th century work, the carving is not as firm as in cave 20.
PORCHED DOORWAY:
The porched doorway of cave 27also derived from the shrine doorway of cave 2. the decorations show the new fashion for splendor of the later centuries